(Video Credit: Race Horse Company’s promotional video.)
Petit Mal by Race Horse Company is a one hour-and-fifteen minutes circus performance featuring superb skills on the trampoline and Chinese pole. Here I wrote about how two performers set-up a half-an-hour circus show in a street performance in Gothenburg. In Petit Mal, we get clowning, acrobatics, and break dancing spread out amongst merely three performers. During one of the last tricks, the trampoline artist Rauli Kosonen lost his balance standing on eleven rubber tires (yes, I counted as I held my breath), but got back on after two attempts. He closed his eyes hard before bowing to the audience at the end of the show. The three of them looked absolutely knackered. It’s a performance about the chaotic and the bizarre held together by energy, strength, and perseverance to carry it through.
I really enjoyed the element of “losing control.” The breakdancer Kalle Lehto eventually cuts one of the wires holding the Chinese Pole. When he took out the pair of gigantic scissors a teenage girl behind me said, “Oh, no you don’t,” then gasped loudly when he cut the wire. Blue fitness balls hang in an orange net from the ceiling. These fitness balls are released from the net during the middle of the performance, and create further spontaneity as they roam freely, some of them even rolling off the stage. All this happens on a stage that resembles an outdoor factory workshop where the performers throw wood planks carelessly here and there, or move rubber tires around in a random fashion.
Kosonen is superb, showcasing his trampolining skills on the trampoline and a huge red fitness ball. The flashing lights at the end was a new experience for me, as I realized that flashing lights give the illusion of stillness, prolonging the shapes in the air by a split of a second because of the way our eyes capture light. Petri Trominen is breathtaking on the Chinese pole, making the big drops and turns in the air look effortless and seamless. Lehto’s breakdancing is enhanced by sound devices underneath the wood planks so we can “hear” his body movements as well as see them.
What didn’t work quite well for me was how they incorporated the element of bizarreness into the show. We got not one but two Elvis Presleys, Donald Duck, a Canadian mountaineer, and a horse with sexy legs. There were too many images and characters to process in one go, and by this point I lost a bit of concentration. I couldn’t see–and still can’t–the connection between Donald Duck and Elvis Presley. Maybe it’s not supposed to make sense. The show is called Petit Mal after all, referring to “absence seizure.” This section of the performance uses pink, orange, and green lighting to create a distorted, perhaps a hallucinated view of the world. But I think there could be a stronger connection established between these images and characters to hold the spectator’s attention.
Overall it was a very enjoyable evening. But be prepared to keep an open mind, as this is not a show about grace and beauty in an orderly world, but about letting the disorderly speak.