Tag Archives: Circus Space

New Year Aerial Resolutions: Work Hard, Play Hard

This has been a particularly difficult year for me. My thesis major corrections has been a big blow to my confidence, but I am grateful that I am slowly coming out of it with the help and support of good friends.

The aerial side of things has been completely different from my academic work. I feel stronger, more motivated than ever, and feel much closer to my dream of teaching aerial one day. I completed a 12-weeks Silks Level I evening course at the Circus Space this term and never missed a class. That’s a back and forth two-hours journey to London once every week. Once every week might not seem much, but when you’ve got a thesis correction schedule to chase, spending the afternoon and evening on the road feels like a sin. But I feel it has kept me sane, giving me something to look forward to and be excited about. We had a very good teacher for our silks class. She’s methodical on wraps and this has helped me become less afraid of drops.

So my new year resolutions is simple: work hard and play hard. When I work on my thesis I won’t think about my next aerial class (this is very hard considering the amount of time I get distracted doing “aerial research” on YouTube). When I train I won’t think about my thesis. Piece of cake. I need to come up with a more efficient schedule to fit the one thing that I absolutely have to pull through, and the other thing that I love.

A few of my favorite aerial things this year:

1. The curly-wurly drop:

This is my first two-rotations drop. I first learned this drop on the silks and then transferred it to the rope. I’m still bewildered every time I do it: your eyes are open all the way through the drop but you don’t see anything because one, gravity is pulling you quite quickly, and two, you’re concentrated on keeping body tension. I’m always amazed at how different a drop feels on your body compared to seeing someone doing it. I might be side tracking a bit here, but this is one of the reasons why you should NEVER, EVER try to replicate a drop from YouTube. Admittedly I tried to copy a double-knee hock drop that I saw on the internet when I was a beginner/improver. I thought, “Hey, how difficult can it be?” I was tangled up with the rope squeezing me out of air. NOT a good idea. My point is that taught safely the curly-wurly is a fun drop to do.

curly wurly!

curly wurly!

2. Becoming less afraid of split silks:

When I started learning aerial, I didn’t have a preference of apparatus, but I’d get more confused on the silks than on rope. For me silks wraps are more complicated… with two strands of fabric you have more to think and wrap yourself with than one vertical rope. I turn around and left and right are no longer the same. Darn. Slowly I steered towards the apparatus that felt more natural to me. But doing a course on silks this term has helped me become less afraid of the silks. Some split silks moments:

neck balance on a split silks sequence

part of a split silks sequence

3. Gaining better spatial awareness:

Working with split silks means that your relationship with the apparatus is slightly different. I love being able to grab a bit of fabric and lay out. The material of the fabric offers alternative ways of movement. I feel that my spatial awareness has actually improved by gaining more vocabulary on the silks. It also feels really good to be able to work on another apparatus when the rope is giving me a painful hard time.

a moment of

I’m also working on my straight-leg propeller and flare-into-catchers. They’re getting there!

So with these reflections I conclude my last post of 2013. Thank you for reading/following my blog. See you next year!

How Aerial Kept Me Sane

I’ve started doing a silks evening course at London’s Circus Space this term. If you want to do evening classes at the Circus Space but didn’t start at their Circus Level 1, you’re required to take an assessment. I did my assessment in July, and was lucky to be offered a place as their waiting list can be very long. I was hoping to book a rope class, so when they called me to say they had a cancellation in silks I was hesitant to take the place. The student canceled her booking two weeks before the course started, so the woman who called me wouldn’t let me think it over night as they needed to confirm places as soon as possible. If I didn’t take the place she’d had to move on to the next person on the list.

“Can I at least have ten minutes to think about it?” I asked.

“OK, how about I give you twenty minutes, and I’ll call you back.”

I was taken aback by the situation because the woman was a bit pushy. But I decided to take the place since I might not have this opportunity again. There aren’t any aerial classes open to the public where I come from, so I’m trying to learn as much as I can.

The evening course is a two-hour class that takes place once a week and includes a warm-up session. The Circus Space is almost militant about asking students to arrive on time to warm-up. If you arrive late, you’re not allowed to join the class. I guess this arrive-on-time policy is implemented with the good intention to lessen the students’ chances of getting injured and minimize disruption to a class, but it makes me a bit nervous because it takes me an hour on the train to reach London and the trains are often delayed.

Inside the Circus Space

Inside the Circus Space

(Photo above from Alan Parish.)

You also have the choice of booking inclusive supportive classes that comes with the evening course such as stretching and aerial conditioning. It’s a shame that I don’t have time to go to London twice a week so I haven’t been to these.

Before I started doing the course, I thought going to London once a week would be no hassle, but now I realize I hadn’t taken into account the time it takes me to get to the train station, which is already about half an hour. I need another half an hour from London Bridge to get to the Circus Space (even though it’s only six minutes on the tube). I surprised a girl in my class when I told her I was taking the train back the same evening. “I know, it’s a bit crazy,” I said. “We’re all a bit crazy,” she sighed. Turns out she’s doing three courses at the Circus Space this term.

I’ve been doing aerial for a couple of years now, and I’m still hungry for more. My friends have been surprised at my enthusiasm and dedication. I’ve always enjoyed sports but I’m not athletic, so I think they don’t exactly associate me with holding my body weight in the air. In fact, I love being in the air to explore the possibilities of body movement that seem to defy gravity. I also love the expression of body language. Different people favour different movements and tricks, so when you see a routine you can usually infer something about the performer’s personality through his/her choice of music and choreography.

Me in an angel on rope.

Me in an angel on rope.

Training has also helped me become more self-aware about my body in general. I need to sleep and eat well in order to have a good training session. This doesn’t always happen, especially not when I wake-up at three o’clock in the morning in cold sweat worrying about my thesis, but I know where my fitness level needs to be in order to execute a routine. I’ve become stronger and for the first time in my life, I have shy abs.

Even though training leaves me sore and tired, aerial is my highlight of the week and I rarely miss a class. It has kept me sane through the multiple setbacks of the Ph.D. When I get depressed thinking about my thesis corrections, aerial gives me something to look forward to. I struggle with finding self-confidence in the stuffy academic environment these days, but last week a girl in my class (the same one doing three courses at the Circus Space this term) asked me, “You have beautiful lines, were you a gymnast?” I secretly thanked for helping me feel better about myself.

Since I’ve been training consistently, I know most of the aerialists in the city I live in. I regard myself as a friendly outsider learning about the difficulties they face balancing training and working, performing and paying the bills. The economic recession has been cutting to the arts sector, so the work of performing artists has really suffered from the lack of funding. I’ve learned that being in circus is not only about a profession, but also a lifestyle and attitude. Most aerialists I know hold a couple of part-time jobs, but they love aerial and circus so they stick with it.

I don’t know how far I’ll go with aerial, but at the moment I still get very excited when I see a move I want to learn, or put a routine together to the music I like.

I only wish I’d done it sooner.